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LUCKY is the man or woman of taste who has no inherited eye-sores which, because of association, must not be banished! When these exist in large numbers one thing only remains to be done: look them over, see to what period the majority belong, and proceed as if you wanted a mid-Victorian, late Colonial or brass-bedstead room.

To rearrange a room successfully, begin by taking everything out of it (in reality or in your mind), then decide how you want it to look, or how, owing to what you own and must retain, you are obliged to have it look. Design and colour of wall decorations, hangings, carpets, lighting fixtures, lamps and ornaments on mantel, depend upon the character of your furniture. It is the mantel and its arrangement of ornaments that sound the keynote upon first entering a room.

Conventional simplicity in number and arrangement of ornaments gives balance and repose, hence dignity. Dignity once established, one can afford to be individual and introduce a riot of colours, provided they are all in the same key. Luxurious cushions, soft rugs and a hundred and one feminine touches will create atmosphere and knit together the austere scheme of the line anatomy of your room. colour and textiles are the flesh of interior decoration.

In furnishing a small room you can add greatly to its apparent size by using plain paper and making the woodwork the same colour, or slightly darker in tone. If you cannot find a wallpaper of exactly the colour and shade you wish, it is often possible to use the wrong side of a paper and produce exactly the desired effect. In repapering old rooms with imperfect ceilings, it is easy to disguise this by using a paper with a small design in the same tone. ret perfectly plain ceiling paper will show every defect in the surface of the ceiling.

If your house or flat is small you can gain a great effect on space by keeping the same colour scheme throughout that is, the same colour or related colours. To make a small hall and each of several small rooms on the same floor different in any pronounced way is, to cut up your home into a restless, unmeaning checkerboard, where one feels conscious of the walls and all limitations. The effect of restful spaciousness may be obtained by taking the same small suite and treating its walls, floors and draperies, as has been suggested, in the same colour scheme or a scheme of related keys in colour. That is, wood browns, beiges and yellows; violets, mauves and pinks; different tones of greys; different tones of yellows, greens and blues.

Now having established your suite and hall all in one key, so that there is absolutely no jarring note as one passes from room to room, you may be sure of having achieved that most desirable of all. qualities in interior decoration repose. We have seen the idea here suggested carried out in small summer homes with most successful results; the same colour used on walls and furniture, while exactly the same chintz was employed in every bedroom, opening out of one hall. By this means it was possible to give to a small, unimportant cottage, a note of distinction otherwise quite impossible. Here, however, let us say that, if the same chintz is to be used in every room, it must be neutral in colora chintz in which the colour scheme is, say, yellows in different tones, browns in different tones, or greens or greys. To vary the character of each room, introduce different colours in the furniture covers, the sofa-cushions and lampshades. Our point is to urge the repetition of the main background in a small group of rooms; but to escape monotony by planning that the accessories in each room shall strike individual notes of decorative, contrasting colour.

What to do with old floors is a question many of us have faced. If your house has been built with floors of wide, common boards which have become rough and separated by age, in some cases allowing dust to sift through from the cellar, and you do not wish to go to the expense of all-over carpets, you have the choice of several methods. The simplest and least expensive is to paint or stain the floors. In this case, employ a floor painter and begin by removing all old paint. Paint removers come for the purpose. Then have the floors planed to make them even. Next, fill the cracks with putty. The most practical method is to stain the floors some dark colour: mahogany, walnut, weathered oak, black, green or any colour you may prefer, and then wax them.

This protects the colour. In a room where daintiness is desired, and economy is not important, as for instance in a room with white painted furniture, you may have white floors and a square carpet rug of some plain dark toned velvet; or, if preferred, the painted border may be in some delicate color to match the wallpaper. To resume, if you like a dull finish, have the wax rubbed in at intervals, but if you like a glossy background for rugs, use a heavy varnish after the floors are coloured. This treatment we suggest for more or less formal rooms. In bedrooms, put down an inexpensive filling as a background for rugs, or should yours be a summer home, use straw matting. A room with modern painted furniture is shown here. Lines and decorations Empire. Note the lyre backs of chairs and headboard in day-bed. Treatment of this bed is that suggested where twin beds are used and room affords wall space for but one of them.

Bedroom in Country House. Modern Painted Furniture

For halls and dining-rooms a plain dark-coloured linoleum, costing not less than two dollars a yard makes an inexpensive floor covering. If it is waxed it becomes not only very durable but, also, extremely effective, suggesting the dark tiles in Italian houses. We do not advise the purchase of the linoleums which represent inlaid floors, as they are invariably unsuccessful imitations. If it is necessary to economise and your brass bedstead must be used even though you dislike it, you can have it painted the colour of your walls. It requires a number of coats. A soft pearl grey is good. Then use a colour, or colours, in your silk or chintz bedspread. The sun-proof material in a solid colour makes an attractive cover, with a narrow fringe in several colours straight around the edges and also, forming a circle or square on the top of the bed-cover.

If your gas or electric fixtures are ugly and you cannot afford more attractive ones, buy very cheap, perfectly plain, ones and paint them to match the walls, giving decorative value to them with coloured silk shades. If you wish to use twin beds and have not wall space for them, treat one like a couch or day-bed. See Plate II. Your cabinet-maker can remove the footboard, then draw the bed out into the room, place in a position convenient to the light either by day or night, after which put a cover of cretonne or silk over it and cushions of the same. Never put a spotted material on a spotted material. If your couch or sofa is done in a figured material of different colours, make your sofa cushions of plain material to tone down the sofa. If the sofa is a plain colour, then tone it upmake it more decorative by using cushions of several colours.

If you like your room, but find it Cold in the atmosphere, try deep cream gauze for sash curtains. They are wonderful atmosphere producers. The advantage of two tiers of sash curtains (see Plate IX) is that one can part and push back one tier for air, light or looking out, and still use the other tier to modify the light in the room. Another way to produce the atmosphere in a cold room is to use a tone-on-tone paper. That is, a paper striped in two depths of the same colour.

In choosing any wallpaper it is imperative that you try a large sample of it in the room for which it is intended, as the reflection from a nearby building or brick wall can entirely change a beautiful yellow into a thick mustard colour. How a wallpaper looks in the shop is no criterion. As stated sometimes the wrong side of wallpaper gives you the tone you desire. Shows one end of a very small bedroom with modern painted furniture, so simple in line and decoration that it would be equally appropriate either for a young man or for a young woman. We say “young,” because there is something charmingly fresh and youthful about this type of furniture.

The colour is pale pistache green, with mulberry lines, the same combination of colours being repeated in painting the walls which have a grey background lined with mulberry the broad striped narrow green line. The bed cover is mulberry, the lamp shade is green with mulberry and grey in the fringe. On the walls are delightful old prints framed in black glass with gold lines, and a narrow moulding of gilded oak, an old style revived. A square of antique silk covers the night table, and the floor is polished hardwood. Here is your hall bedroom, the wee guest room in a flat, or the extra guest room under the eaves of your country house, made equally beguiling. The result of this artistic simplicity is a restful sense of space.

When rearranging your room do not desecrate the few good antiques you happen to own by the use of a too modern colour scheme. Have the necessary modern pieces you have bought to supplement your treasures stained or painted in a dull, dark colour in harmony with the antiques, and then use subdued colours in the floor coverings, curtains and cushions. If you own no good old ornaments, try to get a few good shapes and colours in inexpensive reproductions of the desired period.

If your room is small, and the bathroom opens out of it, add to the size of the room by using the same colour scheme in the bathroom, and conceal the plumbing and fixtures by a low screen. If the connecting door is kept open, the effect is to enlarge greatly the appearance of the small bedroom, whereas if the bedroom decorations are dark and the bathroom has a light floor and walls, it abruptly cuts itself off and emphasises the smallness of the bedroom.

Everything depends upon the appropriateness of the furniture to its setting. We recall some much-admired dining-room chairs in the home of the Maclaines of Lochbuie in Argyleshire, west coast of Scotland. The chairs in question are covered with sealskin from the seals caught off that rugged coast They are quite delightful in a remote country house, but they would not be tolerated in London.

The question of placing photographs is not one to be treated lightly. Remember, intimate photographs should be placed in intimate rooms, while photographs of artists and all celebrities are appropriate for the living room or library. It is extremely seldom that a photograph unless of public interest is not out of place in a formal room. To repeat, never forget that your house or flat is your home, and, that to have any charm whatever of a personal sort, it must suggest you not simply the taste of a professional decorator. So work with your decorator (if you prefer to employ one) by giving your personal attention to styles and colours, and selecting those most sympathetic to your own nature. Your architect will be grateful if you will show the same interest in the details of building your home, rather than assuming the attitude that you have engaged him in order to rid yourself of such bother.

If you are building a pretentious house and decide upon some clearly defined period of architecture, let us say, Georgian (English eighteenth century) we would advise keeping your first floor mainly in that period as to furniture and hangings, but upstairs let yourself go, that is, make your rooms any style you like. Go in for a gay riot of colour, such combinations as are known as Bakst colouring, if that happens to be your fancy. This Russian painter and designer was fortunate in having the theatre in which to demonstrate his experiments in vivid colour combinations, and sometimes we quite forget that he was but one of many who have used sunset palettes.

Recently the fair butterfly daughters of a mother whose taste has grown sophisticated complained, “But, Mother, we dislike periods, and here you are building a Tudor house!” forgetting, by the way, that the so-called Bakst interiors, adored by them, are equally a period. This home, a very wonderful one, is being worked out on the plan suggested, that is, the first floor is decorated in the period of the exterior of the house, while the personal rooms on the upper floors reflect, to a certain extent, the personality of their occupants. Remember there must always be a certain relationship between all the rooms in one suite, the relationship indicated by lines and a background of the same, or a harmonising colour-scheme. Here we have a man’s office in Wall Street, New York, showing how a lawyer with large interests surrounds himself with necessities which contribute to his comfort, sense of beauty and art instincts. The desk is big, solid and commodious, yet artistically unusual.

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